Motion Picture Sound Editors (MPSE) Award Winners

When the nominees were announced, I immediately chose Life of Pi for Sound Editing. Sure, Skyfall was the better choice, but I figured Sound Mixing was a lock with Les Mis, and that they would "Hugo" Life of Pi and go with the film they liked the best with the most technical aspects. Then I switched to Argo, because the love the film so much and this is a place to honor it. I had also thought about Skyfall. Well, Life of Pi surprised last night with a couple of wins, and Skyfall took one as well. Still confused as hell. Also continually more confusing is the Best Animated Feature Category. Brave had started to really emerge as a frontrunner with so many industry awards and BAFTA, but now that Wreck-It Ralph has won another Guild award, I am starting to wonder which is more popular:

BEST SOUND EDITING: MUSIC IN A FEATURE FILM
LIFE OF PI (20TH CENTURY FOX)

BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM
LES MISÉRABLES (UNIVERSAL PICTURES)

BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM
LIFE OF PI (20TH CENTURY FOX)

BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM
SKYFALL (COLUMBIA PICTURES)

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN AN ANIMATION FEATURE FILM
WRECK-IT RALPH (WALT DISNEY STUDIOS MOTION PICTURES)

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A
FEATURE FOREIGN LANGUAGE FILM
RUST & BONE (UGC DISTRIBUTION)

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY
LAST CALL AT THE OASIS (ATO PICTURES)

BEST SOUND EDITING: SHORT FORM MUSIC IN TELEVISION
FRINGE: “A SHORT STORY ABOUT LOVE” (WARNER BROTHERS TELEVISION)

BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION
SMASH: “HELL ON EARTH” (NBC STUDIOS)

BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION
THE NEWSROOM: “AMEN” (HBO ENTERTAINMENT)

BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION
AMERICAN HORROR STORY: “WELCOME TO BRIARCLIFF” (20TH CENTURY FOX TELEVISION)

BEST SOUND EDITING: LONG FORM MUSIC IN TELEVISION
HEMINGWAY & GELLHORN (HBO FILMS)

BEST SOUND EDITING: LONG FORM MUSICAL IN TELEVISION
LET IT SHINE (DISNEY CHANNEL)

BEST SOUND EDITING: LONG FORM DIALOGUE AND ADR IN TELEVISION
GAME OF THRONES SEASON 2: “VALAR MORGHULIS” (HBO)

 BEST SOUND EDITING: LONG FORM SOUND EFFECTS AND FOLEY IN TELEVISION(TIE)
GAME OF THRONES SEASON 2: “VALAR MORGHULIS” (HBO)
SEAL TEAM SIX: THE RAID ON OSAMA BIN LADEN (THE WEINSTEIN COMPANY)

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION
ADVENTURE TIME: “CARD WARS” (CARTOON NETWORK STUDIOS)

BEST SOUND EDITING: LONG FORM DOCUMENTARY IN TELEVISION
CROSSFIRE HURRICANE (HBO)